How does Coleridge tell the story in part 3 of Rime of the Ancient Mariner Essay Example for Free

How does Coleridge tell the story in bulge out 3 of Rime of the superannuated Mariner EssayThe opening hunt of part 3 in the first stanza, THERE passed a weary time, indicates to the ratifier that the Mariner is still in a state of suffering, continued from part 2. The capitalisation of the word, there, suggests that natures torture is only organism directed at those on the ship. Coleridge furthers the idea of natures torture in this stanza through his use of death imagery, each throat was scorched and glazed each eye. The word, glazed implies a sort of mental vacancy or vegetation, whilst parched denotes that they are completely change out, not only are they dehydrated but they are dried out in the consciousness that the Mariner has straight off completely lost any remnant of desire and faith in nature. The enjambment in the line is used to highlight and emphasise the extent of the vaporization among the ships crew. However, by the 5th line, the t sensation of the sta nza has become less sullen, shown through Coleridges going from the lay plaster cast.The two extra lines mark the common sense of hope newly acquired by the ship subsequently they watch a something in the sky. Both the second and third stanzas return to the traditional ballad form to show the ficklness of the Mariners hope. In stanza 2, Coleridge uses nebulous language, shape and seemed, in this stanza in order to fight the suspense caused by both the reader and the Mariners uncertainty close to this speck. Its in any case used to reflect the desperation of the Mariner, as his tone has become more positive despite the potentially dangerous object.The Mariners self-assured tone continues in the third stanza, shown through the structural braid of punctuation mark, A speck, a mist, a shape, I wist The exclamation is used in order to show the hopefullness of the Mariner, the inhering rhyme used by Coleridge also creates an upbeat tone, as it speeds up the pace of the poem. Coleridge creates a rail line with the reiterate, the object plunged and tacked and veered, as the Mariners own ship is completely still, the contrast implies to the reader that, perhaps, this sprite may be of the supernatural realm, as there is no breeze after all.In stanza 7, Coleridge deviates from the traditional ballad form, this time to make the reader aware of the threat that the shape imposes on the Mariner. Within the sestet, Coleridge uses a image of literary devices in order to communicate the danger the Mariners ship is now facing. We see the poet use elemental imagery with the quote, the western wave was all-aflame. The pairing of two conflicting elements, water and fire, or so seems unnatural, and is an example of the poems supernatural theme.Indeed, the imagery is used to indicate to the reader that the Mariner is now dealing with something supernatural. Coleridge also uses symbolism through the quote, that strange shape drove suddenly betwist us and the Sun. A t this point, the Mariner is blocked from any source of light, and arguably, as God created light, this means he is completely contract off from God, and as a result any kind of assistance from God is being obstructed. Essentially, the jak is unable to be protected or defended against any kind of harmful or supernatural being by this point.Similar symbolism is used in stanza 8, as the Sun was flecked with bars, suggesting that the cheer has now been imprisioned by this object. The quote together with the simile, through a dungeon-grate he peered implies that whatever has imprisioned the sun is dead capable of encaging the Mariners ship, increasing the fear felt by the Mariner at this piece in his story. In stanzas 10 and 11, the reader learns that Death and Life-in-Death are in charge of the mysterious ship.The prosopopoeia and capitalisation of these two figures communicate to the reader the extent of their power. Coleridge triggers shock in the reader by abandoning the eval uate rhyme scheme, having an abccb rather than the routine and typically ballad-like abcb scheme, Coleridges manipulation of structure through capricious punctuation also adds to the shock is that Death? A total of five questions are asked in stanza 10, creating a sense of both danger and uncertainty. In stanza 11, Coleridge is able to evoke shock from the reader once again when render Life-in-Death. The reader is first told that her locks were yellow as favorable, as the simile is fairly conventional, containing the typical romantic and royal imagery, Coleridge is able to fool us until he reveals that her skin was white as leprosy. The juxtaposition between gold and leprosy presents her as this liminal figure, whilst she has certain characteristics of a conventional seductress type she is still ghost-like, even demonic. In stanzas 15, 16 and 17, Coleridge implies to the reader that Life-in-Death and Deaths trivialised game of death has led to the mariners deaths with the exemp tion of the Ancient Mariner.Already, on the first line of the 15th stanza, the star-dogged Moon suggests that change is near. The Mariner communicates his constant guilt to the reader by prolonging the first line, one after one, the caesura, used to emphasise the slowing down of pace, also helps to reflect his remorse about the other mariners, who he feels responsible for. However, by the 16th stanza he speaks in a somewhat unaffectionate way as speaks with mathematical language, rather than emotionally engaged language, four times fifty support men, despite his guilt.Alternatively, the Mariner may have become desensitised after, apparently, centuries of telling this story. Coleridge uses onomatopeoia in order to create a more vivid perception in the readers mind, heavy buffet, a lifeless lump. The essential rhyme is used to heighten our auditory and visual senses even more, as it echoes the sound created by thump. The onomatopeic language is also used to echo the fact that the Mariner is now completely isolated.In the net stanza, we see another example of the Mariners feelings of guilt when he references his own shooting of the millstone, both soulpassed me by like the whizz of my cross-bow. The Mariners routine remark about the Albatross at the end of each part suggest that his guilt is long lasting, as it has remained with him ever since. Essentially, the quote implies that his shooting of the albatross has resulted in the 200 deaths of his fellow mariners part 3 leave us with the sense that the Mariner is now isolated, as well as wrapped up in guilt.