Virtual Against the Real :: Movies Technology Essays

Virtual Against the Real Two men uprise on the rooftop. One man, dressed in a black fount and black tie, shoots a penetrating look at the other through and through his dark sunglasses. With a quick flick of his wrists, the man in the admit fires a handful of lethal bullets. Time slows down as the projectiles burn out(a) towards their victim. The camera angle changes as the man acrobatically bends certify to deflect the rippling bullets. Whoosh The bullets fly by in normal speed up as the man quickly gets back up. Neo, the man who almost tasted lead, straightens himself out before continuing to battle the agents of the practical(prenominal) world. I sat back comfortably on my couch watching The Matrix (1999), thinking of the virtual versus the real. All the characterisations I saw recently, all the advertisements that covered the media, and almost some(prenominal)place I went, I noticed the use of computer graphics. Even the picture show I was watching, The Matrix, w as elevated and completed with the aid of computerized special effects. In narrate to make a blockbuster hit, it seems as if computer graphics are essential. However, with computers readily available at their fingertips, a portion of the producers, artists, designers are radical to use computer graphics not so much to enhance as to replace the real. Whenever computer technology is used to replace what is real, I fear there is a danger of losing aspects of a vital humanity. Nowadays, any top science fiction or action/adventure movie uses at least some bit of computerized special effects. I slake remember being amazed at how real the tyrannosaurus rex looked in the blockbuster hit, Jurassic Park. I was amazed at the power and realism of the virtual dinosaur. Computer graphics, in some respect, are a extremity in todays films. For example, in Tom Hanks compose Away (2000), all the island scenes were filmed on a mud-pile overlooking a parking lot. Michael A Hiltzik in Digital C inema Take 2 describes how almost all the shots with a sky or ocean were through with special effects. There are numerous examples where computer graphics intensify the film, including the creation of fantasy worlds in Lord of the Rings (2001). What made these computer-enhanced movies so effective was that they relied almost entirely on live human actors. They had the attractively depicted scenery, from the snowy mountains to the cozy village of the Hobbits, that were all generated by computer, tho there is nothing better to portray human stories, stories that we can consider ourselves in, than live actors.