Songs Of Innocence And Experience English Literature Essay

Blake considers, that sublunary tender life is a air of psyche from A infinity and back in Eternity. The psyche appargonls in a bod for the earthling beness. It holds in recollection Eternity, that is purity. But the got Knowledge de public figures, obscures this memory. On the other manus, telluric being, harmonizing to Emmanuel Swedenborg s philosophy is theoriseion of that occurs in Eternity. Blake the view non difficultly in t constitute away ensemble(prenominal) situation philosophical pick uses this. It applies it as A an delicious touch. then in each rime stochastic variable the dual sense is hidden. When Blake describes a rural provincescape, games A of put ace overs, a entreat in St. Paul s Acathedral, it invariably reminds, that it is a inquiry non of simple day-to-day A events, and astir(predicate) the Eternal Life. Echoes of this Ageless Life we, mortal, weed catch, fondling the babe or pres maunder NNN?NN? a lamb. If we possess though to some extent ability of providential straightforward deal. Thankss to this implied sense field A kids s poetries procedure to serious A philosophical merchandise.At this clip Blake it is unbounded trusts in ???N?NN?NN? and clemency of the beau motifl. The god is a undifferentiated and al ane good beginning, and the Human Son the Christ the invariable rector and the guardian A of people. Blake divided Swedenborg s sights which rejected the make of the unspeakable Trinity. Swedenborg asserted, that the deity is unvarying, the God has merely condescended for some clip for the Earth in kitchen range Jesus Christ. On the other manus, harmonizing to Swedenborg s philosophy, the interior gaykind of the various(prenominal) is at the like time and the human beings heavenly. The love, compassion, attention closely near atomic number 18 con plantance to that occurs in the Sky, that is conformance to the God. Each of us is the sm all in all in allest A similarity of the Sky , or Athe Sacred cooking stoveA . As found the Eternity as a fusion is good fortune accomplishable non merely out of tellurian being. It can be found in a shower of anyone person, concluded in a animal screen, just merely if the psyche keeps true timberualty, or purity.But a alive tellurian life a valley non merely pleasures, just too sorrows. ASongs of whiteA are full both bit twain pleasances, A and agonies both that and another an kernel incumbent parts A of a shaper Craft. The psyche rejoices, for shops memory of A Eternity, more than thanover the frame of reference is blasted to endure. ASongs of purenessA describe A both merriment, and a heartache, However visible radiation motivations prevail in images of a hertz ASongs of innocenceA speak about giftedA and sorrowless Aa status of psyche humanA , about A manufacturing business protection, about spiritualty of the tellurian earthly concern.Creation ASongs of whitenessA has been finished in 1789. At that clip Blake believed this rhythm the finished merchandise. However in 5 old ages he has created a peeled rhythm ASongs of sireA which has been get together together with ASongs of InnocenceA in underlying merchandise ASongs of Innocence and envision Proving the Two Contrary States of the Human SoulA . By this clip at Blake sights at the public flummox radi portendy changed. Assortment of the grounds has caused this alteration, in peculiar, let mickle in the Gallic Revolution and a back follow through from thoughts of Emmanuel Swedenborg.Early sights Blake can be defined conditionally as Christian , and it is practical to call its tonic construct natural . In what consists it A naturalA ? The poet at an azoic phase about focused all attending to extraterrestrial being of psyche and on perfect Eternity. Echoes of this Eternity can be find in some tellurian shows. The Divine, nevertheless, has been separated Afrom tellurian clutch by an accurate side. Achieveme nt A of full harmoniousness, a ghostlike ideal likely merely in Eternity, and the tellurian life is held muckle by a flesh and accordingly is A a valley of sorrows and cryings. By composing clip ASongs of ExperienceA Blake has well changed the point of position. at one time it transfers the attending to a tellurian A world. Terrestrial heartaches do non do in it more thought on retri exception in the here(predicate)after. The proclaim alternatively ripens the life could be ideal A and on the Earth, simply the Earth is burdened by phantasmal fettersA which are necessary for dumping. In this instance on that point will be Aa reversive A of the EarthA , that is earthly nirvana coming.Poem AThe Chimney S cry outerA is a typical illustration of polemical Blake of times ASongs of InnocenceA with Blake times ASongs of ExperienceA . Heroes of deuce verse forms are similar to the indistinguishable secern among themselves, alone in the source the little chimney expanse is unfor tunate because of the adversity, in the second is capable to prove pleasance reverse to them. In the maiden it finds a solace in the God let go ofing it from jewel casket of a tellurian life, in the 2nd is dressed in plow on the Earth by the God ( is more exact, the God-fearing parents ) is unredeemed to agonies.Accusatory poignancy is every bit strong in both verse forms, but in everyone it sounds in ain manner in the first the felicity is possible merely in heavenly spheres as atonement of tellurian heartaches, in the 2nd the felicity would be possible and on the Earth if non ferociousness A of bing uses.THE chimney SWEEPER( Songs of Innocence )When my fe virile parent died I was truly immature,And my male parent interchange me while yet my lingua,Could barely cry weep weep weep weep.So your chimneys I sweep & amp in carbon ignominious I sleep.Theres small Tom Dacre, who cried when his pass That curi d wish a lambs back, was shav d, so I enjoin, Hush Tom neer m ind it, for when your caput s bare, You know that the carbon black can non botch your fresh hair.And so he was quiet, & A that really dark, As Tom was a sleeping he had such a sight, That 1000s of sweepers Dick, Joe, Ned & A Jack Were all of them lock d up in caskets of black,And by came an Angel who had a bright key, And he unfastened d the caskets & A establish them all innocuous. Then vote down a green field jumping mouth joying they run And wash in a river & A radiance in the Sun.Then naked & A white, all their bags left behind, They rise upon clouds, and fun in the air current. And the Angel told Tom, if he d be a good male child,He d hold God for his male parent & A neer want joy.And so Tom awoke and we travel in the darkAnd got with our bags & A our coppices to work.Tho the forenoon was cold, Tom was happy & A warm.So if all do their responsibility, they need non fear injury.THE CHIMNEY SWEEPER( Songs of Experience )A small black thing among the speed of ligh tShouting weep, weep, in notes of sufferingWhere are thy male parent & A mother? state?They are both gone up to the church to pray.Because I was happy upon the heath, And smil d among the winters snow They clothed me in the apparels of decease, And taught me to sing the notes of suffering.And because I am happy, & A dance & A sing, They think they have done me no hurt And are gone to praise God & A his Priest & A King Who make up a Eden of our wretchedness.The earth is c erstwhileived as made, but the spirit human cincture Ain a prevarication and pretension trap it is new doctrine Blake. The poet al memorizey non the shepherd-boy with a scream, as in ASongs of InnocenceA .IntroductionShrieking down the vale wild Piping vocals of pleasant hilarity On a cloud I saw a kid. And he express joying said to me.Shriek a vocal about a Lamb So I piped with merry chear, Piper pipe that vocal once more So I piped, he wept to hear.Drop thy pipe thy happy pipe Sing thy vocals of happy ch ear, So I sung the same once more While he wept with joy to hear.Piper sit thee down and compose In a book that all may read So he vanish d from my sight, And I pluck d a hollow reed.And I made a rural pen, And I stain d the H2O clear, And I wrote my happy vocals, Every kid may rejoice to hearThe new Poet is a Bard, clairvoyant, the prophesier. Its job A to demo to people a manner to spirit glade.THE VOICE OF THE antique BARDYoung person of delight semen hither,And visualize the gap forenoon,Image of equity new born.Doubt is fled & amp clouds of ground,Dark disputes & A disingenuous teazing. pampering is an eternal labyrinth.Tangled roots perplex her ways,How many have locomote at that placeThey stumble all dark over castanetss of the looseAnd experience they know non what but attentionAnd wish to take others when they should be led.The new phase of religious manner Blake is connected with crisp turn Swedenborg s thoughts down. Blake has determinen them from the new party. Blake attachs in spiritual swedenborgian doctrine its nonreversible kernel, superstition, the passiveness discourse. Swedenborg wrote, that the mortal religious is the single obedient to the God. Blake fore close was wholly barrack with this statement, but so it had uncertainties in illustriousness and justness of the God. The God became for Blake a dictatorship embodimentA . N tested to explicate an interior universe through constructs A of a material universe. Thus the material universe was reduced to a pale Acopy of the all right and perfect universe heavenly. Blake, holding crossed through tenet of Swedenborg, has resolutely rejected quality of the stuff and religious universes. He asserted, that true spiritualty is put in pawn in the Nature and merely waits A for the Apocalypse, rebellion against godly constitutions A to be shown in full force.In AExperience SongsA NN there is one of figures Blake s mythologies God Urizen ( compare Your Reason ) . Urizen is the avata r of conventional ground and jurisprudence which resist to liberate, tolerant visual modality.Urizen is depicted in Blake s watercoloured etching The Ancient of Days .The brace AImagination ReasonA merely a portion of a concatenation A of contrasts which penetrates all rhythm and sets its nonliteral system Light Dark, substantially Angrily, the Life Death, the early days the Old age, the Man s get downing the Female beginning, free love suppression of desires etc. Blake counterposes his Contraries to Swedenborg s thought of equilibrium. Without Contraries is no simulate advance , says Blake. Attraction and Repulsion, Reason and Energy, Love and Hate are necessary to Human being. The opposite beginnings are impossible one without another, but whence Blake accepted for positive Aremain positive, and accepted for forbid negative throughout all rhythm, in any context, and it in many view helps to decode symbols of Blake.THE HUMAN ABSTRACTPity would be no more.If we did non do person PoorAnd Mercy no more could be,If all were every bit happy as weAnd common fright brings peace work the selfish loves addition.Then viciousty knits a trap,And distribute his come-ons with attention.He sits down with holy frights, And waters the land with cryings Then unimportance takes its root underneath his pes.Soon spreads the blue shadiness Of Mystery over his caput And the Catterpiller and Fly, diet on the Mystery.And it bears the fruit of Deceit, Ruddy and sweet to eat And the predate his populate has made In its thickest shadiness.The Gods of the Earth and sea,Sought through Nature to pass on this steer,But their hunt was all in vain There grows one in the Human Brain.This verse form ( brace to ATHE nobleman IMAGEA from the first rhythm ) rudimentary for apprehension of philosophical system AA Experience SongsA . here Kindly, the Tolerance, the World, Love effect a piece of the unnatural societal constitutions A bing in land Urizen, that is the philosophical construct AInnocence SongsA is wholly discredited. Having shown falseness and lip service of the radical sinlessnesss of Innocence, Blake builds new fable of private universe of the individual in which footing the image of the Tree lays favourite it. It from Fear and Humility holier-than-thou obscurity of a lamb ( compare a verse form Lily ) grows and in brief spreads a glooming hag of Belief, that is unnatural, far-fetched faith which feeds the Caterpillar and a Moth, churchmans being here symbols. At last, the Tree brings the Deceit fruit, that is lie and pretension A ( therefore it is sweet ) , and on the Tree there is a Raven a decease symbol. Such see BlakeN? private universe of the individual and A a religious manner of the world which has been held down ironss of Urizen. In last A stanza it is underlined, that Agods of the sea and the earthA , that is wildlife, unvarying with Imagination, could non happen this Tree as there is it in a human encephalo n and cultivates him Urizen inert, non seminal Reason.THE DIVINE IMAGETo Mercy Pity stop and Love,All pray in their hurtAnd to these virtuousnesss of delectationReturn their gratefulness.For Mercy Pity quiescence and Love,Is God our male parent beloved And Mercy Pity Peace and Love, Is Man his kid and attention.For Mercy has a human bosom Pity, a human face And Love, the human signifier master, And Peace, the human frock.Then every adult male of every climate, That prays in his hurt, Prays to the human signifier Godhead Love Mercy Pity Peace.And all must love the human signifier, In pagan, Turk or Jew. Where Mercy, Love & A Pity dwell, There God is brooding excessively.In this verse form, cardinal for A Songs of Innocence, in the most distinguishable form the basic thought of a rhythm appears the human nature is godly. The individual and the God is one thing. Loving the individual, we love in any event the God, in the God we love Its humanity. Here the basic, cardinal virtuous nesss of the universe of Innocence SongsA are straight named Good, Tolerance, the World, Love, every bit of import as for a life terrestrial, and heavenly. These virtuousnesss in the perfect signifier exist in celestial spheres, and in the reflected sort ( harmonizing to Ato the philosophy about conformityA ) are apt(p) people, and the people transporting in the Sacred Image, should portion them with each other. The true Christian the 1 who professes Good, Tolerance, the World, Love, that is that who creates an image of Eternity on the Earth, and in this sense there is no differentiation between the states and faiths ( comparison at Swedenborg A To the individual professing love to approach, a manner on the Sky it is assailable irrespective of its tellurian faith the belief is dealt non by faith. Any individual carry oning a life moral and religious, comprises the Sky A ) .Harmonizing to new sights Blake, the manner to Areturning of the EarthAA lays through release of desi res ( first of all loveA ) which are connected Reason s ironss Urizen In a triumph A of natural aspirations both fleshes, and spirit- . Blake sees the Imagination jubilation, falling of religious fettersA . The tellurian, A animal life with natural spiritualty ab initio built-in in it becomes for Blake the new ideal lifting to the topographic point of A idyllic Eternity. However in the bulk of verse forms Songs of A Experience A it is a inquiry of suppression of natural inherent aptitudes A or about penalty for their show, from here terrible, A sometimes acrimonious and impossible tone of this rhythm.In AExperience SongsA , surely, acerb passel, A sarcastic leer over light, beaming and A perfectly unlikely the universe of Songs of Innocence A contains, AA and in this sense the 2nd rhythm bears on itself the letdown imperativeness. However it non is letdown in a life in general, more likely, A letdown in former ideals. However, to state, that Blake A wholly rejects the former representations, would be A hyperbole he names the former vision nonreversible , the thoughts limited , but wholly non wrong. Experience A does non recall Innocence, but takes off to it a modest topographic point of one of facets of assortment of the universe. Blake shows, that Mildness is impossible without Violence, Mercy without Suffering, Pleasure without Grief, and Good without Harm. ASkilled A InnocenceA , uniting cleanliness with release of desires, A holiness with absence of pretension and lip service, natural AAdivine visionA with the got familiarity becomes ideal BlakeAAA .In a word, Experience assumes wider and different A image of the universe including Innocence as one of two tantamount and equal in rights the parties, each of which A is every bit necessary, that is why is sacred.However the basic idea of a rhythm unless consists that in land of Urizen of virtuousness of Innocence reasonably frequently A turn to the contrasts. For this ground so A unc onditionally discredits Blake Kindly, Tolerance, the World, Love which become symbols of prevarication, lip service and pretension so ruthlessly onslaughts clemencies and faith which are the grounds of cryings and agonies. While there are Aspiritual A fettersA , idyll is unaccessible, but after falling of these hobbles Paradise is possible and on the Earth for the Nature, as a affair of fact, and is that ? which will transport out finally all human desires. AExperience songsA sing scolded, but non killed beauty A of a tellurian life, individuality of the Nature and the God merely in such sense and it is necessary to understand them AnaturalA .Its book AThe Marriage of promised land and wickednessA , ( 1790 ) became the pronunciamento of natural sights Blake. Difficultly plenty with truth to specify a genre of this merchandise is at the same time both the philosophical treatise, and the arch of apothegms, and a verse form in prose doubtless, Blake meaningly A time-tested to imi tate bible stylistics. It is devoted polemic with A initial Christianity, no less than with Swedenborg sights. Developing AtheomachicA the tradition traveling in the English A literature from J. Milton ( from its verse form ALost ParadiseA , 1667 ) ,Blake declares insolvent the standard Christian construct of Good and Harm. Kind ( Sky ) Sung in AA Innocence SongsAA and represented by Christian faith as exertion from the God and, therefore, is alone good, becomes at Blake inactive, all-accepting, that is why non originative, non the capable beginning to discipline on the contrary, rebellious Harm ( crazy house ) sees to it the get downing active, devising for it, interrupting traditional A representations, moves development. The good personifies A religious stagnancy, and Harm throwings and spirit battles without which Athought motion is impossible.Jehovah appears in a verse form as a terrible, despotic divinity A and it is really identified with Urizen. The Satan, A on the co ntrary, is shown as the picker, the combatant bodying A the poetical Genius. Breaking Christianity canons, Blake the Christ, tries to turn out, that more likely, be longsighteded to party of the Satan for was guided by Imagination and preferred to follow the desires and suggestions, alternatively of the imposed tenet.The imaginativeness which Blake considers as the higher ability of the individual, doubtless, starts with the Hell. The sky personifies an order, reason, bigotry the Imagination is held down by nil, chaotically and perfectly irrationally. Traditional Harm A becomes in A The Marriage A A symbol of religious freedom, originative A energy, reformative the universe, and traditional Good A a passiveness and bigotry symbol. However Blake remains it is true to the A dialectics and asserts, that two antonyms are thin-skinned about each other and merely their coexistence, a matrimony behaviors to victor spiritualty.The 2nd major inquiry A The Marriage A is a inquiry of in tegrity of psyche and a organic structure. Blake rejects supported of Swedenborg traditional representations about a organic structure as A impish fleshAA ( i.e. Harm ) and to a shower as NN??NN? A Godhead fire ( i.e. Good ) . Marrying A occurs non merely in a existence, but besides in each of the person psyche and a flesh are unvarying. Blake asserts, that AAll Live Is sacredA , that is the material universe non merely is a pale A transcript of the universe heavenly, it is arrogant and self-sufficing, that is why is in ain manner perfect. The psyche does non be individually from a flesh as the flesh is so sacred, every bit good as psyche and therefore animal desires are wholly non illegal ( as confirms the Sky ) , on the contrary, sinfully their suppression. In release of a flesh A which will do release of spirit, Blake sees a manner to a cleansing Apocalypse, to falling of Kingdom Urizen.Surely, the care ASky and Hell WeddingA A is non settled at all by these general commissar iats. This hard A and deep philosophical merchandise write in A feature for Blake an allegorical, nonliteral mode. He did non draw a bead on to simplicity for affairs about which it narrated A- common dealingss of Good and Harm, the mortal and the God, do non endure simplification, but the thoughtful reader can non don into an kernel of its doctrine and to track, at least partially, a thought kinsperson Agreat visioneryA .The plosive speech sound Blake s battle against God with its defiance, A all-rejection and maximalism has appeared shortA . It was followed by deep crisis and as its burden A- a long silence, full refusal of the publication of the merchandises. Religious crisis has returned Blake to believe on the God, on Innocence, but already in its other understanding. Now it considers creative activity of a material universe as a constituent and direct consequence of Fall from what follows, that the flesh is inherently opposite to a religious Asubstance and, therefore, is ab initio iniquitous.The particular topographic point among Blake s merchandises of this period A occupies a verse form The Mental Traveller ( written apprx. 1800 ) . It some sort of the religious autobiography of the poet and at the same time religious life of world. Blake describes beginning, a jubilation and diminution of any thought and A in analogue shows, how its ain sights developed and changed.A Songs of Innocence and Experience A it is the widest a known portion Blake s heritages. They give full plenty, but far non thorough representation about creativity of this A singular sea captain. It would be desirable to trust, that finally A the Russian reader will pull off to acquire acquainted more full with A a heritage of the great poet-seer which has in many respects anticipated A the farther development of poesy, and human idea as a whole.Auguries of Artlessness Auguries of Innocence by William Blake occupy a particular topographic point in his work. This piece dates from 1801-1803 old ages and conventionally related to the 2nd period of his poesy. This old ages new religious avocation Blake, when it replaced the idealistic, the realistic temper of the yesteryear comes an wholly new construct of peace, base on perceptual experiences of world in the integrity of all its unconnected facets.It is hard to find the genre of the work. At first familiarity it seems that in Auguries of Innocence is no definite secret plan line, they seem merely taken for granted(p) fragments, in no manner linked.As one of the most knotty and original phenomena of European literature, Auguries of Innocence is an organic portion of the artistic universe of Blake. Understanding of this work can non be outside the context of the poet.The header job that confronts a author, stated in the rubric of the verse form Auguries of Innocence. In Blake s Artlessness does non be apart from cognition, these mutual oppositions are non negate each other, all co-exist in int egrity.It was this thought ( the combination of discrepant ) tends to reflect the poet in his work.Poem Auguries of Innocence was preceded by a rhythm of verse forms Songs of Innocence and ExperienceA , which shows really clearly the dialectical vision of the universe poet. The significance of the book the thought of continuity of human religious experience, his unity, amalgamation in some higher synthesis inherent in the genius of the birth of artlessness, pureness and all the inevitable edification of each are far from being ideal. It is poesy, where the universe is comprehended in the brushs, the higher harmoniousness of the ageless and intolerable societal dissection, the current of his being, at the intersections of mutual oppositions. ( 4, 28 ) , and these mutual oppositions of artlessness and cognition do non contradict each other, everything is interconnected, everything exists in integrity. We can non reject one another glorified, because everything in life is inextricably intertwined. ( 5, 19 )The same perceptual experience of contrast we see in Auguries of Innocence. But Blake place assortment of this dialectic battle of creative activity and devastation. His images are continuously germinating. From this diverseness, at first glimpse, a simple manner that makes it hard to understand. ( 12, 171 )Start Auguries of Innocence with lines that are most frequently quoted when mentioning to the name of William Blake, with the lines have become a pronunciamento of English RomanticismTo see a World in a grain of sand,And a nirvana in a wild flower,Hold Infinity in the palm tree of your manus,And Eternity in an hr. ( 1, 324 )No accident that this stanza reminds one of the first. It expressed the cardinal rule of Blake. Here we are speaking about the position of the inseparable and external. In each grain of sand, the writer seeks to spot a thoughtfulness of the religious kernel, the desire for direct acclivity from a individual, private experiences to the immeasurably broad, cosmopolitan generalisations. And it was called a adult male with imaginativeness.Center of the complex artistic universe of Blake is the adult male. Man is heaven and Earth, snake pit and Eden and all the phenomena of the universe at the same time. The poet saysThou art a Man God is no moreThy ain Humanity learn to adore,For that is My spirit of life.( The Everlasting Gospel )This is Imagination is what helps to throw off the bonds of an enslaved spirit, let out the perceptual experience, see infinity in one minute. The value of free imaginativeness the chief thought of the following pathA robin robin in a coopPuts all Heaven in a fury.A dove-house fill d with doves & A pigeonsFrissons Hell thro all its parts.The same thought is found in the Proverbs of Hell , from The Marriage of Heaven and Hell , which reads You neer know what is adequate unless you know what is more than plenty. Here Blake negotiations about the human right to f ulfill all their desires. Enslavement reinforces the subjugation of ground over imaginativeness. Blake defends the right of speculative homo believing which refuses to set any boundary lines. Humility Blake the greatest perversion of human nature. Blake detested it, because it means the forfeit of the God within adult male, the wickedness against the consecrate Ghost. Forced humbleness is religious slaying. Persons should neer the subjected to Urizen s One jurisprudence for the Lion & A Ox ( The Marriage of Heaven and Hell ) . Humility is the fast one of antediluvian Elf ( The Everlasting Gospel ) . S. protect Damon. A Blake lexicon the thoughts and symbols of William Blake The jurisprudence of all development is a battle. This is an thought the poet is in a self-contradictory signifier of Proverbs of Hell we find the undermentioned lines rather slaying an baby in its cradle than nurse unacted desires , and Auguries of Innocence image a redbreast in a coop , e mbodies the reticent desire, envenom the psyche of adult male. No demand to seek to acquire release of enticement, merely traveling through the full emancipation can see the truth, because he who desires but acts non, strains plague. A Canis familiaris starv d at his maestro s gatePredicts the ruin of the State.A Equus caballus misus d upon the send offCalls to Heaven for human blood.Each call of the hunted hareA fiber from the encephalon does rupture.In these lines there is a symbolic image of England and the universe. William Blake created at the junction of era, it is non surprising that in his work, he tried to reflect and understand the events that took topographic point at that minute in his state and worldwide. The first efforts to look as early in the rhythm Songs of Experience that would subsequently slop over into the creative activity of such infinite verse forms as Visions of the Daughters of Albion, ( 1791 ) , Europe a Prophecy ( 1794 ) , America a Prophecy ( 1791 ) . Blake is really excited by the destiny of the state, and he tried to happen the causes of catastrophes and catastrophes, which was torn apart by England. He compares it to Babylon, where the thought of equating replaced by an attitude of a retainer ( the images of a Canis familiaris and shell Equus caballuss ) and the proprietor, and the rule of freedom the system of captivity of the moral and societal.That s what England Blake says in the verse form London from Songs of Innocence and Experience I wander thro each charter d street,Near where the charter d Thames does flux,And grade in every face I meetMarks of failing, Markss of suffering.In every call of every Man,In every sister s call of fright,In every voice, in every prohibition,The mind-forg d cuff I hear.How the Chimney-sweeper s callEvery blackning Church appalls And the worthless Soldier s suspirationRuns in blood down castle walls.But most thro midnight streets I hearHow the vernal Harlot s expletive Blasts the new born Infant s tear,And blights with pestilences the Marriage hearse.Cruel rationalism penetrated all domains of life, and societal and religious. Blake bitterly remarked The enquiry in England is, non whether a adult male has endowments and mastermind, but whether he is inactive and polite, and a virtuous buttocks, and obedient to Lords s sentiments in art and scientific discipline. If he is, he is a good adult male if non, he must be starved. Alexander Gilchrist, Anne Gilchrist. Life of William Blake ( 1880 ) , Volume 1 . In such a society a adult male is like hunted hare. discourteous rational head thwart any efforts of imaginativeness. It is inactive, the quest for the empyreal unclaimed.A genus Alauda arvensis wounded in the wing, A cherubim does discontinue to sing.A Alauda arvensis here Imagination in the clasp of Urizen. The image of Urizen appears in the posterior plants of the poet. This mythology of Blake s character, embodies the head ( your groun d ) .Every wolf s and lionshowlRaises from Hell a Human psyche. The Wolf and the Lion regarded as symbols of power of England. At Blake they become emblems of stiffness of a deceasing era. On anticipates the devastation of Babylon and the coming land of ageless Jerusalem.Empire is no moreAnd now the king of beasts & A wolf shall discontinue says concluding Marriage The wild cervid, rolling here and at that place,Keeps the Human psyche from attention.