Friday, February 8, 2019
Edgar Degas and his influence on the art of Mary Cassatt Essay
Mary Stevenson Cassatts Miss Mary Ellison (1880) and Edgar-Hilaire-Germain Degass silver perch Malo (1877) are cardinal paintings that, when compared and contrasted, shows numbers of influences that Degas had on Mary Cassatts art. two of these paintings are portraits d iodin in tbe standard point of view. Even at a mere glance, it is easy to see the striking similarities between the two portraits. It is not too farfetched to assume that Degas had a dish of influence on Mary Cassatts work because it is known that he was one of her biggest inspirations (Wallis, 14). Furthermore, even within the Impressionist group the bond that Degas and Cassatt share was an important one to her, since she looked up to him as a model artificer (Englemann, 80). Mary Cassatt was born in Philadelphia to Robert Simpson Cassatt and Katherine Johnston Cassatt in1844 (Mathews, 9). Her father was a wealthy banker and her vex was well-educated and spoke french fluently (Wallis,14). They were both part of the fastness circles of the Pittsburg Society (Mathews ,9). As such, they had a vested interest in providing their children with the best of educational and cultural experiences (Mathews, 9) Cassatts interest in art, seems to originate from a 5 twelvemonth sojourn that the family took in 1851 (Wallis, 14). Although only a mere child at the time, it seems the expatriate life appealed the young Cassatt furthermore, the sights she saw must have profoundly affected her because she would soon return to the life abroad (Mathews,9) As a teenager she studied art privately and later as an cock-a-hoop she attended the Pennsylvania Academy of the Fine arts (Wallis, 14). She was able to figure art and complete her studies with the support of her fathers finances. Although he d... ...ferent continent, the paths of Edgar Degas and Mary Cassatt intertwined much. In her second stay in Europe as an expatriate, Degas took his mapping as her guide and mentor. She, having been inspired and motivated by Degass work reliable with delight (Wallis, 14). Degas took an active role in encouraging her and excite her, he often worked with her and alongside with her, and sometimes he even helped her with the art such was the case with Little Girl in a low-spirited armchair, Degas worked on the background. (Mathews, 45). The two had a long professional blood that survived all the way until Degass death and even in his death she venerable him as an artist (Mathews, 45). Since Degas was her mentor and guide, it is expected that he had influenced her art, and he did. However, it is surprising that he begun influencing her art, even before the two ever met.
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