Swords-and-Scandals

?WORD?-AND-?CANDAL?: HOLLYWOOD? ROME DURING THE GREAT DEPRE??ION Ab?tract ?everal Hollywood bring? produced during the Depre??ion twelvemonth? 1932-1935 utilized ?tereotypical im epoch? of capital of Italy and papist? to addre?? and to exploit anxietie? precipitated by thi? frugal cata?trophe. Of the?e, two box-office hit?, The ?ign of the oscilloscope?? (1932) and papist ?candal? (1933), employ the ?tandard trope of romish? a? the effete oppre??or? of a virtuou?, innocent, just in the long mould triumphant people, but from all(prenominal) one figure? it? corrupt Roman? in way? that ?poke differently to Depre??ion audience?. to each one film? repre?entation of Rome draw? on the genre radiation pattern? to which the film belong?, hi?torical epic and comedy. Cecil B. DeMille? ?word and ?andal epic, The ?ign of the cathode-ray oscilloscope??, focu?ed on the Roman per?ecution of Chri?tian? and offered ?pectator? both an uplifting me??age of ?piritual redemption an d vicariou? purpose of Roman wealth and decadence.

By contra?t, in ?amuel Goldwyn? mu?ical comedy, Roman ?candal?, ancient Rome and Depre??ion America mirror each other; renewal and backup man re? past from a clean?ing of graft and rot from the Roman, and hence al?o the American, political ?y?tem?. Image? of Rome in film? made during the wee 1930? offer a fa?cinating interpreter of how America? metaphoric relation? rose hip to Rome took popular and mercantile ?hape during a time of outstanding economic hard?hip and political turbulence. American? had never faced anything quite bid the Great Depre??ion befo re. There had been economic depre??ion? in t! he pa?t, but nothing a? cata?trophic and enduring a? the eccentric? that followed in the wake of unforgiving Tue?day, October 29, 1929. In the fir?t two month? by and by the Cra?h, the number of unemployed in the United ?tate? went from fewer than half a one million million to more than four... If you want to get a full essay, rewrite it on our website: OrderCustomPaper.com

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